3 Underrated Country-Rock Bands From the 1970s That Should Be Household Names Today

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3 Underrated Country-Rock Bands From the 1970s That Should Be Household Names Today

American Songwriter · 3 hours ago

The article highlights three 1970s country-rock bands it argues remain less celebrated than their influence or quality warrants.

– The Flying Burrito Brothers, led by Gram Parsons and Chris Hillman, are presented as foundational to country-rock despite limited commercial success; their 1969 debut *The Gilded Palace of Sin* never helped them reach the Billboard 200 Top 100.
– New Riders of the Purple Sage combined country music with psychedelic elements, with their 1971 self-titled album and 1972’s *Powerglide* singled out; they are chiefly remembered for the single “Panama Red”.
– Pure Prairie League achieved several Top 40 albums during the 1970s and had hits including “Amie”, but the article argues their catalogue, especially 1972’s *Bustin’ Out*, receives too little classic radio attention.

  • Three country-rock acts are described as overlooked 1970s pioneers.
  • The Flying Burrito Brothers had influence without major chart success.
  • Pure Prairie League and New Riders retain notable but limited recognition.

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Country rock emerged in the late 1960s and 1970s as musicians blended country instruments and song styles with rock, folk and, in some cases, psychedelic music. It developed alongside changing tastes in American popular music, with artists drawing on traditional country sounds while performing for rock audiences.

The Flying Burrito Brothers were among the early groups associated with the style, featuring singer-songwriter Gram Parsons and former Byrds member Chris Hillman. New Riders of the Purple Sage brought a more psychedelic approach and had close links to the San Francisco music scene, while Pure Prairie League found broader chart success with a more polished country-rock sound.

These bands helped establish a sound that later influenced acts across country, rock and Americana. Their records also show that commercial success and long-term recognition have not always matched a group’s role in shaping a genre.

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