This feature from Louder revisits the making of Blondie's 1978 hit "One Way Or Another," exploring how the song helped transform the New York band from CBGB-scene outsiders into global new wave stars. It traces the track's origins to a genuinely unsettling episode in Debbie Harry's own life, when an obsessive admirer's behaviour became so alarming that she felt compelled to relocate away from New Jersey, and shows how that experience of being stalked was channelled into one of the band's most enduring and commercially successful songs.

The article situates the single within Parallel Lines, the 1978 album that produced six hit singles across the US and UK and sold more than 20 million copies worldwide, figures that seemed unthinkable for a band once dismissed as a novelty act amid more critically favoured peers like Ramones, Television and Talking Heads. It notes that Blondie's fortunes began to shift in 1977 when "Rip Her To Shreds," from their debut album, became a Top 5 hit in Australia, paving the way for the breakthrough that followed. The piece also touches on how the song and Harry's frank handling of the stalking experience helped establish her as a new kind of female role model in rock.