Miroslav Terzić's debut feature '3 Weeks After,' selected for competition at the Karlovy Vary Film Festival, explores how adolescents process grief and violence through the narrative of a class excursion occurring three weeks following a classmate's death by suicide. The story centres on the deceased's closest friend navigating both personal loss and the casual brutality of his social group, which Terzić uses to examine how aggression has become normalised as a form of youth communication. To assemble his cast, the director interviewed over 500 prospective actors but selected primarily untrained performers, drawing instead upon their genuine recollections of school environments rather than conventional audition techniques.

Terzić deliberately employs compositional distance during moments of physical aggression, intentionally reflecting how contemporary observers experience violence—isolated and mediated, rather than immediate or demanding action. He frames this artistic choice as representing a broader cultural pattern in which societies remain inattentive to deteriorating conditions because violent rhetoric has become so embedded in daily interaction that warning signs go unrecognised. The director contends that in Bulgaria and similar contexts, substantive dialogue about suicide occurs only after crisis becomes undeniable, because the pervasive normalisation of aggressive language obscures the underlying distress. Terzić characterises the film as an invitation for audiences to recognize this pattern of collective passivity and reconsider their own responses to conflict.