How Brad Pitt and David Cronenberg almost butchered 1999’s ‘American Psycho’: “He had strange demands”
The article discusses how director David Cronenberg and actor Brad Pitt were briefly attached to adapt Bret Easton Ellis's 1991 novel American Psycho for the screen, but the collaboration did not materialise. Cronenberg's creative demands—including refusing to film restaurant scenes, nightclub sequences, or scenes depicting violence—were fundamentally at odds with Ellis's vision, ultimately leading to his departure and consequently Pitt's exit from the project. The matter is significant because it reveals how markedly different the film could have been had Ellis conceded to the director's requirements, as these elements are central to the final adaptation that became successful.
Ellis, who originally wrote the novel without expectations of success, subsequently worked with multiple prospective filmmakers including Rob Weiss before the project eventually landed with director Mary Harron. According to Ellis in a 2016 Rolling Stone interview, he intentionally disregarded all of Cronenberg's demands, believing they would not serve the film adequately. The final script, co-written by Mary Harron and Guinevere Turner, drew similarities to Ellis's earlier drafts for Cronenberg and Weiss, demonstrating that the core narrative remained consistent despite the various creative iterations.
- Cronenberg rejected filming central scenes; Ellis refused and they parted ways
- Brad Pitt departed alongside Cronenberg from the adaptation
- Mary Harron ultimately directed the successful final film version