‘One Night Only’ Review: Monica Barbaro and Callum Turner Are Too Hot for This Sexless Sex Comedy

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‘One Night Only’ Review: Monica Barbaro and Callum Turner Are Too Hot for This Sexless Sex Comedy

Developing story first seen 2 hours ago

Variety · 2 hours ago

Variety film critic Guy Lodge reviews "One Night Only," a romantic comedy directed by Will Gluck and starring Monica Barbaro and Callum Turner, arguing that its bizarre dystopian premise undermines what could otherwise have been an appealing date-night film. Despite strong star chemistry and an inviting New York setting, the film's high-concept hook—premarital sex is illegal except on one government-sanctioned night a year—proves too unsettling and distracting for the breezy tone the film attempts to maintain.

The review notes that the film opens with title cards explaining that premarital sex was outlawed three years earlier, with an annual exemption dubbed "National Sex Night," enforced via tracking chips implanted in citizens' wrists. Lodge contrasts the setup with "The Handmaid's Tale" and "The Purge," suggesting the script by Travis Braun and Gluck's bright, upbeat direction treat this dystopian backdrop merely as a device to speed up the central romance between Owen (Turner), a pizzeria owner, and Allie (Barbaro), an aspiring singer, rather than grappling with its darker implications. The film follows Gluck's previous romcom hit "Anyone but You."

  • Variety reviews Will Gluck's romcom "One Night Only," starring Barbaro and Turner.
  • Premise: premarital sex is banned except one government-sanctioned night yearly.
  • Critic says the dystopian concept undermines the film's romantic comedy tone.

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One night only in this dystopian future, premarital sex is legal; every other night, it isn't. That is the setup for "One Night Only," a new romantic comedy directed by Will Gluck and starring Monica Barbaro and Callum Turner as a pizzeria owner and an aspiring singer whose romance unfolds against this odd, government-controlled backdrop, complete with tracking chips and an official "National Sex Night."

Gluck previously had a hit with the romcom "Anyone but You," and this film arrives with similar date-night ambitions, pairing two well-liked stars in a bright, glossy New York setting. The twist is that it borrows the trappings of grim dystopian stories like "The Handmaid's Tale" and "The Purge," but uses them mainly as a plot device to speed up a conventional love story rather than exploring their darker implications.

The story here is a review, from Variety critic Guy Lodge, assessing whether that mismatch between a bleak premise and a breezy tone works. It matters chiefly to readers interested in film criticism, romantic comedies, or the careers of Barbaro, Turner and Gluck, rather than any wider news event.

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