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Barbara Kingsolver’s Partita weighs artistic ambition against service to community

The Guardian ·

Barbara Kingsolver's "Partita" explores the tension between pursuing artistic mastery and using one's creative gift to enrich one's community. The novel follows Livia, a piano prodigy who has become a music teacher in her native rural Tennessee, with her early dreams of becoming a world-class concert pianist shattered by a hand injury.

The narrative alternates between Livia's contented middle age and her college years, when she had a destructive affair with Sigurd, a man implicated in the accident that damaged her hand. The reviewer notes that whilst passages describing this affair become florid and overwrought, the novel's strongest writing appears in its exploration of how music, even when imperfectly performed, can enrich both the performer and listener.

  • Piano prodigy's hand injury derailed her concert dreams permanently
  • Novel explores whether community enrichment outweighs pursuing greatness
  • Some overwrought sex writing, but powerful music descriptions shine through

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Barbara Kingsolver is an acclaimed American novelist known for exploring social and personal themes through character-driven narratives. Her latest work, "Partita", engages with questions about artistic aspiration and community contribution through the life of a musician.

The novel centres on Livia, a formerly gifted pianist living in rural Tennessee, whose childhood dreams of becoming a concert performer were derailed by a serious hand injury. The narrative shifts between her present life as a music teacher and her past, particularly her college years and a complicated romantic relationship that intersected with the accident.

The book explores a tension that confronts many creative people: whether to pursue personal mastery in one's craft or to use one's abilities in service of others. It examines how music shared imperfectly within a community can hold value and meaning beyond the ambitions of the individual performer.

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Originally published by The Guardian as “Partita By Barbara Kingsolver review – a quieter follow-up to Demon Copperhead”.