“The Idiot(s)” Reimagines Dostoevsky as Chaos and Celebrates His Wife’s Essential Role

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“The Idiot(s)” Reimagines Dostoevsky as Chaos and Celebrates His Wife’s Essential Role

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New details have emerged about "The Idiot(s)," the satirical Dostoevsky film from directors Małgorzata Szumowska and Michał Englert, including its setting, supporting cast and stylistic flourishes. The film follows Fyodor Dostoevsky (Johnny Flynn) and his wife Anna (Aimee Lou Wood) during a stay in Germany, ostensibly so he can write his next novel, but instead depicts him gambling away money, drinking heavily and socialising with fellow writer Ivan Turgenev (Christian Friedel) and his girlfriend (Vicky Krieps), while Anna works to keep him on track.

The screenplay, credited to Szumowska, Englert, Kasper Bajon and Brid Arnstein, deliberately avoids conventional biopic reverence, portraying Fyodor as buffoonish and self-pitying while giving Anna genuine agency rather than passive victimhood. Stylistically, the film leans into playful anachronisms, such as a 19th-century rendition of A-Ha's "Take On Me," and outlandish visual gags, alongside affectionate nods to Dostoevsky's actual novel The Idiot. Critics note Wood's performance recalls her breakout role in The White Lotus, and while the film is praised for its inventive tone, some feel it runs longer than needed.

  • Film details Fyodor's gambling and partying in Germany with Turgenev
  • Screenplay by four writers emphasises Anna's active role, not passivity
  • Playful anachronisms and visual gags underscore its irreverent tone

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Turgenev's serene poise and Vicky Krieps's coquettish glamour drown out his self-obsessed dread.

That is not the point though – here is the primer:

Fyodor Dostoevsky is one of Russia's most celebrated 19th-century novelists, known for weighty, philosophical works such as Crime and Punishment and The Idiot. Away from his fiction, his personal life was famously turbulent, marked by a serious gambling addiction, chronic debt and a volatile temperament, much of which unfolded during a period living abroad in Germany with his second wife, Anna, who managed their finances and shielded him from the worst of his impulses.

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