The Shards review – murder, 80s mayhem and the Ryan Murphy comeback we’ve been waiting for

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The Shards review – murder, 80s mayhem and the Ryan Murphy comeback we’ve been waiting for

The Guardian · 4 hours ago

Following a string of critical disappointments, Ryan Murphy has found renewed success with his television adaptation of Bret Easton Ellis's semiautobiographical 1980s novel. The series represents a significant creative recovery for the veteran showrunner, arriving after projects that failed to resonate with audiences and critics. Murphy's approach involves casting the children of prominent 1980s celebrities in key roles, a deliberate choice that reinforces the show's metafictional ambitions.

The narrative is set in 1980s Los Angeles and tracks the intersecting lives of a privileged group of high school friends whilst a separate storyline follows an active serial killer targeting young victims. The protagonist, Bret, finds himself caught in romantic tensions and social intrigue within his circle whilst the mysterious murderer, known as the Trawler, commits increasingly brutal crimes that grip the city. The show operates on multiple levels, employing both the concrete threat of a real killer and symbolic commentary on the defining crises of the era.

  • Ryan Murphy rebounds strongly with this stylish adaptation of Bret Easton Ellis's 80s novel
  • The show blends a serial killer thriller with teenage drama and AIDS-era metaphors in 1980s Los Angeles
  • Celebrity offspring casting enhances the metafictional storytelling with acclaimed production design

Americas Culture World

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