They’re Not ‘Major Labels.’
The world's largest music companies are treating merchandise and live event revenue as increasingly essential business drivers rather than peripheral activities. Sony's combined income from merchandise, ticketing, and live events climbed from $447 million in 2020 to over $2 billion by 2025, whilst Universal Music Group reported $2.5 billion from the same combined categories—exceeding its total physical music and ad-funded streaming revenues. Both companies have been deliberate in building these divisions through acquisitions and strategic partnerships around major touring campaigns.
The pace of this shift underscores a fundamental reorientation of major label priorities. Sony Music Japan's live and merchandise revenues expanded at an annual rate of 22.8 per cent across five years, substantially outpacing recorded music growth of 5.8 per cent. Universal's merchandise sales have tripled since 2020, and its licensing and concert revenues have roughly doubled in the same window. With traditional sync licensing revenues stagnating industry-wide, these alternative income streams have become vital to corporate performance.
- Major music companies have dramatically expanded merchandise and live event operations, now generating $2–2.5 billion annually
- These revenue streams have grown 3–7x faster than recorded music, now rivalling physical sales and ad-funded streaming combined
- Strategic acquisitions and high-profile artist partnerships (e.g. Bad Bunny tours, Ceremony of Roses deal) are driving expansion