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25 Best Sci-Fi Movies of the 2020s So Far, Ranked
Developed over time first seen 4 months ago
Collider has published a ranked list of the 25 best science-fiction films released so far in the 2020s, compiled by writer Robert Lee III. The piece argues that sci-fi has thrived in the current decade thanks to advances in visual effects technology alongside a mix of major franchise instalments and inventive original stories, and highlights titles the author believes will become genre landmarks over time.
The list runs from number 25 to number 1, opening with the low-budget Japanese time-travel comedy "Beyond the Infinite Two Minutes" (2020), praised for its one-take style and inventive use of a limited premise, followed by Gore Verbinski's 2026 anti-AI action comedy "Good Luck, Have Fun, Don't Die," starring Sam Rockwell. The article frames these as part of a broader wave blending revived and ongoing franchises with new original works across the decade.
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In short
- Collider ranks the 25 best sci-fi films of the 2020s so far.
- List spans low-budget indies to major franchise blockbusters.
- Number 25 is "Beyond the Infinite Two Minutes," number 24 is "Good Luck, Have Fun, Don't Die."
How this story developed
- 4 months ago Collider has published a ranked list of the 25 best science-fiction films released so far in the 2020s, compiled by writer Robert Lee III.
Explained simply
Collider magazine has created a ranked list of 25 science-fiction films from the 2020s, compiled by writer Robert Lee III. The list aims to identify which films from this decade will endure as significant works.
Science fiction has flourished during the 2020s thanks to advances in visual effects technology alongside a mixture of established franchise films and original stories. This combination has made for an unusually productive period in the genre, with filmmakers able to realise more ambitious ideas than in previous decades.
Rankings like this help audiences identify which films matter most among the large number released each year and understand critical consensus. They also show what critics value in the genre at a particular moment, reflecting broader trends in storytelling and filmmaking approaches.