“They sound like a very talented band forced to play punk.” Stuart Adamson’s guitar work elevates Skids’ Scared to Dance above the ordinary
When Skids emerged in 1979, vocalist Richard Jobson had barely left his teens whilst guitarist Stuart Adamson was just 20 years old. Having relocated from Scotland to London as punk evolved into new wave, the pair released their debut Scared to Dance, which swiftly climbed into the UK Top 20. Jobson's experimental vocal approach married unconventional song structures including European-influenced pieces, whilst Adamson contributed a raw yet controlled guitar style drawing from influences like Bill Nelson and Nils Lofgren.
The album initially faced dismissal from critics, particularly over its comparatively high production standards, a characteristic that seemed at odds with prevailing musical tastes. Four decades later, however, the recording's ambitious artistic direction has gained recognition. Adamson's post-punk guitar work demonstrated lasting influence across acts including U2—who subsequently recorded their own version of the album's standout track The Saints Are Coming—and the Manic Street Preachers, suggesting the musicians' vision possessed greater foresight than contemporary reception acknowledged.
- Skids' 1979 debut paired teenage vocalist Richard Jobson's avant-garde approach with Stuart Adamson's distinctive post-punk guitar, reaching the UK Top 20
- Critics dismissed the album's polished production at release, but its artistic merit has proven durable, with Adamson's style influencing U2 and other later artists