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Francisca Valenzuela Breaks Down 5 Essential Tracks From Her New Album, ‘MALDITA’
Francisca Valenzuela’s seventh album, MALDITA, confronts the contradictions of early motherhood, pairing love and hope with postpartum depression, fear and uncertainty.
– Released on 30 July via her Frantastic Records label, the 12-track album draws on Valenzuela’s first year as a mother. – The title track presents motherhood as both transformative and overwhelming, echoing Violeta Parra’s “Maldigo El Alto Cielo”. – Songs including “Bugambilia”, “Malacara” and “Debería Tomar Más Agua” explore emotional strain and confusion. – “Extracción” depicts breastfeeding, while “No Te Aburras de Mí” considers how parenthood reshapes a romantic relationship. – Later tracks such as “Nací Necesitándote”, “Año Uno” and “Komorebi” move towards greater confidence and acceptance.
In short
- MALDITA explores motherhood’s difficult, often unspoken emotional realities.
- Valenzuela combines postpartum anxiety with moments of love and renewal.
- The album aims to reduce shame around maternal struggle.
Explained simply
Francisca Valenzuela is a Chilean musician and songwriter. Her new album, MALDITA, is her seventh record and explores the experience of motherhood through music, drawing from her own first year as a parent.
The album looks honestly at the contradictions of early motherhood, mixing positive feelings of love and hope with darker emotions like postpartum depression, fear and confusion. Rather than presenting an idealised picture of parenthood, the music captures the genuine emotional complexity that many new mothers experience but may hesitate to discuss openly.
This kind of artistic examination of motherhood matters because it offers representation for the often-unspoken struggles alongside the joys of early parenthood. By addressing the topic through her own work, Valenzuela gives voice to experiences that are common yet frequently underrepresented in popular music.
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