Collider ranks Jane Schoenbrun’s three feature films, presenting them as an emerging body of unconventional horror work united by themes of identity, alienation and media culture. The article argues that Schoenbrun’s films are visually bold, emotionally unsettling and deliberately difficult to categorise, making them distinctive within contemporary horror.

– 3. *We’re All Going to the World’s Fair* (2021): centred on Casey, a teenage girl drawn into increasingly strange online spaces and interactions. The film’s sparse cast and internet-mediated storytelling give it a pandemic-era feel, whether or not it was made during lockdowns.