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Trump backs federal tax credit for US film production

Developed over time first seen 2 months ago

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President Trump has thrown his support behind a federal tax incentive for American film and television production, ending months of uncertainty over how he would respond to industry pressure. Posting on Truth Social, he called on Republicans and Democrats to swiftly craft bipartisan legislation, framing it as a way to bring production back to the United States after years of jobs moving overseas. The announcement marks a significant shift from his earlier threat to impose a 100% tariff on foreign-made films, after studios and unions lobbied him towards a tax credit model similar to those already used by Canada, the UK and 39 US states. Motion Picture Association chief executive Charles Rivkin welcomed the move, calling it a potential "landmark step" for production communities nationwide.

The push follows a sharp decline in domestic filming since the streaming bubble burst in 2022, with an estimated 73,000 industry jobs lost nationwide, roughly two-thirds of them in Los Angeles. Democratic senator Adam Schiff had already circulated draft legislation proposing a 15% credit on US labour costs, while the MPA has been working with Trump's Hollywood "special ambassador" Jon Voight to secure a more generous 20% credit; Republicans had reportedly been waiting for a signal from the White House before acting. Trump said any federal incentive would stack atop existing state-level credits and would pay for itself many times over through increased Treasury revenue, while separate efforts continue to revive Section 181, a lapsed tax provision benefiting independent producers.

  • Trump backs federal tax credit to revive US film production
  • Shift follows lobbying away from his 100% foreign film tariff threat
  • Around 73,000 industry jobs lost since 2022 streaming downturn

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Trump has said he wants Congress to create a federal tax break to encourage more film and television production to happen in the United States, rather than abroad. The idea has grown out of months of lobbying by Hollywood studios and unions, who persuaded him to drop an earlier threat to slap a 100% tariff on foreign-made films in favour of this incentive-based approach.

The push involves several key players. The Motion Picture Association, the industry body representing major studios, has backed the plan, and its lobbying has been channelled partly through actor Jon Voight, who Trump appointed as a "special ambassador" to Hollywood. On the political side, Democratic senator Adam Schiff has drafted his own version of the legislation, while Republican lawmakers have reportedly been waiting for a signal from the White House before acting.

The issue matters because the US film and TV industry has shed a large number of jobs since streaming services pulled back on spending after 2022, with Los Angeles particularly affected. Many US states and a large number of other countries already offer tax incentives to attract film production, which supporters argue has drawn work away from America, making a federal-level credit a way of competing for that business.

Both sides, in good faith

The strongest fair case each way — we don't pick a winner.

The case for

Supporters argue that America's film and television industry has haemorrhaged tens of thousands of jobs since the streaming downturn, with Los Angeles hit hardest, and that this has happened largely because 39 states and around 80 other countries now offer competitive incentives that lure productions away. On this view, a federal tax credit is simply levelling the playing field rather than picking winners, protecting skilled blue-collar crew jobs and a culturally significant American export, and a negotiated credit is a more workable, less disruptive tool than the tariff threat it replaced, which explains why it has drawn support from figures across the political spectrum, including Democrats like Adam Schiff.

The case against

Critics contend that a highly profitable global industry dominated by major studios and streamers should not receive new federal subsidies, especially when the underlying job losses stem from streaming economics and corporate restructuring rather than a lack of tax breaks. They point out that the policy followed direct lobbying by studios and unions who successfully redirected the administration from a tariff to a credit that benefits their bottom line, raising concerns about targeted tax relief shaped by well-connected interests rather than neutral economic principle, and warn it risks fuelling a wider race-to-the-bottom in subsidy competition between states and countries rather than resolving it.

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Art Business Celebrity Culture Entertainment Film Government Markets Politics TV

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