Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill

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Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill

The Guardian · 9 hours ago

This is a Guardian folk/roots music review covering Brighton band Sairie's debut album, Beneath the Spreading Tree, alongside three other new folk releases. The reviewer praises Sairie's psych-folk sound, built around singer Emma Morton's bright, chorister-like tone, for blending seasonal warmth with darker undertones across original and traditional songs, and highlights the album as an accomplished, atmospheric debut that suits the shift from summer into autumn.

The review details Sairie's musicianship, including contributions from Andy Thomas on bass, Jon Griffin on harmonium, Maria Marzaioli on violin and Alice Eldridge on cello, and notes influences ranging from Pentangle and Maddy Pryor to Josephine Foster and Françoise Hardy. It also briefly reviews three other albums: Spell Songs' In Thin Air, exploring bird populations with musicians including Karine Polwart and Kris Drever; Elanor Moss's debut The Knife, the Needle; and Shooglenifty's rock-influenced 10th album Stamina Island, celebrating community life on the Isle of Eigg.

  • Guardian reviews Sairie's debut folk album Beneath the Spreading Tree favourably.
  • Album blends 1970s-style psych-folk with darker, ballad-like themes.
  • Also reviewed: Spell Songs, Elanor Moss and Shooglenifty's new releases.

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