How did producer Nigel Godrich define the atmospheric new sound of indie rock in the 2000s?
Producer Nigel Godrich rose to prominence after his work on Radiohead's 1997 album OK Computer made him one of the most sought-after producers in music, with artists across genres seeking to capture some of that record's distinctive sound. Though his immediate post-OK Computer projects with Beck, R.E.M. and Pavement did not match those artists' previous commercial success, his 1999 collaboration with Scottish band Travis on The Man Who became a surprise hit and effectively set the sonic template followed by numerous British indie and pop acts throughout the early-to-mid 2000s.
The article traces Godrich's trajectory through collaborations including Beck's Mutations and Sea Change, mixing work for Neil Finn and R.E.M., multiple albums with The Divine Comedy, and dream-pop records by Air and Charlotte Gainsbourg. Bands such as Coldplay, Keane and Snow Patrol are described as having adopted a similarly lush, textured production style without working with Godrich directly, while artists who did collaborate with him, including Pavement's Stephen Malkmus and Travis's Fran Healy, praised his rare ability to shape emotional, atmospheric sound.
- Nigel Godrich became indie music's most influential producer after OK Computer
- His 1999 work with Travis shaped 2000s British indie's atmospheric sound
- Coldplay, Keane and Snow Patrol echoed his style without hiring him