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Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
Shadows of Beirut is a drama following Lana, a London-based émigré who returns to her native city after 25 years to see her dying biological father, from whom she has only traumatic childhood memories involving alcoholism and violence. The film examines her struggle with OCD, anxiety and family trauma as she attempts to reconnect with her roots and confront suppressed family secrets before her father's death.
Shot during the Covid-19 pandemic partly in Beirut and partly on Bulgarian sets, the film features Lana gradually shedding her excessive sanitary precautions as she bonds with her cousin Rami and new friend Sirine, who provides crucial support during her panic attacks. Though the cast's English-language performances feel somewhat stiff and uncommitted, director Tina Gharavi elicits more authentic work from them in Arabic, with particular strength in the supporting performances of peripheral characters. The film releases in UK cinemas from 25 September.
In short
- Woman returns to Beirut after 25 years to face dying father and family trauma
- Struggles with OCD; gradually opens up through connections with cousin and friend
- Fractured editing reflects her psychological state; stronger in Arabic than English dialogue
Explained simply
Beirut is Lebanon’s capital and largest city, shaped by periods of political conflict, economic strain and rebuilding. Many people with Lebanese roots live abroad, and returning can mean reconnecting with family as well as confronting difficult memories.
The film centres on Lana, who grew up in Beirut and has lived in London for many years. Her return brings her into contact with relatives and friends who help her navigate family trauma and anxiety, while she learns more about her past.
The story is set during the Covid-19 pandemic, when health precautions affected travel and everyday life around the world. Its focus on family ties, migration and mental health gives the drama a personal route into questions of belonging and memory.
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