This Collider feature by Diego Pineda Pacheco compiles a list of films the author considers unworthy of the multiple Academy Awards they won, arguing that while a film picking up two or more Oscars is usually a mark of quality, a handful of exceptions have tarnished the ceremony's reputation. The piece blends recent, widely panned examples with older winners the author feels have aged badly, using critical reception and retrospective analysis to make the case against each.

Early entries include "The Iron Lady" (2011), which won Best Makeup and Hairstyling and gave Meryl Streep her third Oscar despite a 51% Rotten Tomatoes score and a performance the author calls cartoonish, and "One Night of Love" (1934), an early Best Sound Recording and Best Original Score winner deemed dated and clichéd. The article also cites "Anthony Adverse" (1936) as part of a broader claim that the 1930s produced a disproportionate share of weak Oscar winners, and references "Emilia Pérez" as a more recent, widely panned multiple-Oscar recipient, with a total of eight films covered across the full list.