Blackpink’s Lisa Performs ‘SaWaDiKa’ Live for First Time at MTV Video Music Awards
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Blackpink’s Lisa performed her new single “Sawadika” live for the first time at the MTV Video Music Awards in Los Angeles on Sunday. The boxing-themed staging and energetic choreography introduced a new track that the article says marks a return to her rap roots and previews her forthcoming EP.
Produced by Thom Bridges and songwriting duo Ojivolta, “Sawadika” will feature on *Press Play*, due on 23 October via LLOUD Co./RCA Records. Lisa won Best Pop and became tearful during her acceptance speech; the article also lists nominations connected to “Dreamer”, her 2025 debut album *Alter Ego*. Her documentary *Always Lalisa* is due to premiere worldwide on 12 October, and her Las Vegas residency is scheduled to begin on 13 November.
- Lisa debuted “Sawadika” live at the VMAs.
- The single previews her EP *Press Play*, due 23 October.
- She won Best Pop and has a Las Vegas residency planned.
Full account
Lalisa Manobal claimed centre stage at the MTV Video Music Awards on Sunday evening to unveil the television debut of her latest single, 'SaWaDiKa.' The Blackpink member's performance, introduced by fellow artist Tyla, was choreographed around motifs drawn from the accompanying music video, presenting a theatrical fusion of boxing-ring aesthetics and nocturnal club exuberance. The Los Angeles-based spectacle featured a company of dancers executing intricate formations whilst a mobile platform facilitated dynamic positioning throughout the piece. Musically, the track marked a deliberate return to rap-inflected songwriting, with Manobal delivering verses marked by technical precision and rhythmic control.
The evening yielded immediate recognition for the 29-year-old artist, who claimed Best Pop—the ceremony's opening award—for 'Dream,' drawn from her forthcoming debut album, Alter Ego. Her emotional acceptance speech underscored the personal significance of the achievement. The victory positioned her within a broader competitive landscape; she remained nominated across Best K-Pop, Best Cinematography and Best Editing for the same track, whilst also competing in the Best K-Pop category alongside her Blackpink colleagues for their 2025 summer release 'Jump.' This layered recognition across multiple categories reflected sustained visibility for both her solo and ensemble work.
'SaWaDiKa' arrived as the opening salvo from Press Play, an extended play anticipated for 23 October release through LLOUD Co. and RCA Records. The production credits extend to Thom Bridges, whose collaborative portfolio encompasses work with Katseye and John Summit, alongside the songwriting duo Ojivolta. The composition signalled Manobal's deliberate repositioning toward hip-hop territory—a move away from the stylistic eclecticism that characterised earlier solo efforts and returning to the rap-centred foundations evident during her Blackpink years.
Beyond the awards ceremony, Manobal's professional trajectory appears densely scheduled. A documentary retrospective, Always Lalisa, is slated for worldwide premiere on 12 October, preceding the EP's October release. Her calendar extends into November, when she inaugurates the Viva La Lisa residency in Las Vegas, performing across four dates—the 13th, 14th, 27th and 28th—at the Colosseum within Caesars Palace. These commitments collectively outline a substantial solo venture, coinciding with Blackpink's reduced activity as the ensemble navigates its evolving operational model.
Where outlets differ
Source 1 contains an apparent contradiction, stating Manobal won Best Pop yet remained 'still up for' the same award; Source 2 clarifies the chronology of the win
Source 1 emphasises the boxing choreography and physical platform elements; Source 2 highlights ensemble dancers and overall high-energy performance dynamics
Source 1 prioritises Manobal's solo career developments and future projects; Source 2 dedicates extensive coverage to VMA ceremony logistics, hosting, production credits and other performers
Song title capitalisation differs: Source 1 uses 'Sawadika'; Source 2 uses 'SaWaDiKa'
Source 1 includes direct lyrical quotations; Source 2 does not
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