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CAA, WME and UTA Lead Coalition Pushing for Law to Force Streamers to Spend Half Their Budgets on Indie Productions

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Variety ·

CAA, WME and UTA have joined independent producers and entertainment figures to form the American Entertainment Alliance, which is calling for new US rules on streaming services. The coalition says consolidation and streaming have reduced opportunities for independent productions and put US film and television jobs at risk.

Its proposals include requiring streamers to spend at least 50% of their content budgets on US independent productions, returning licensing and syndication rights to producers after several years, and supporting more production in the US. It also wants transparency around recommendation algorithms and a ban on platforms favouring their own content. The Streaming Innovation Alliance, which represents major streaming companies, argues that government mandates could discourage production and creative risk-taking.

  • CAA, WME and UTA have formed a coalition with independent producers.
  • It wants streamers to spend at least half their budgets on US indie content.
  • Streaming companies say government mandates could dampen production.

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Streaming services fund and distribute films and television programmes, either making them in-house or buying them from outside producers. Independent productions are made outside the major studios and platforms, often by smaller companies that rely on selling or licensing their work to reach audiences.

The American Entertainment Alliance brings together talent agencies including CAA, WME and UTA with independent producers and entertainment figures. It is seeking rules that would steer more streaming spending towards US independent productions and give producers greater control over rights to their work.

The debate matters because streaming has changed how programmes are financed, owned and found by viewers. The Streaming Innovation Alliance, which represents major platforms, says spending rules could reduce production and creative risk-taking; the competing proposals reflect different views of how to support US production and jobs.

Both sides, in good faith

The strongest fair case each way — we don't pick a winner.

The case for

Supporters argue that streaming consolidation has concentrated commissioning power, limiting independent producers’ access to funding and audiences while weakening jobs and competition. They see minimum spending, rights returning to producers, and rules on platform self-preferencing as ways to sustain a diverse US production sector and ensure creators share in the long-term value of their work.

The case against

Opponents argue that fixed spending quotas and rights rules could constrain how services respond to audience demand and allocate budgets across different kinds of programmes. They contend that added regulation could raise costs or deter investment, reducing production and creative risk-taking rather than protecting them.

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