Jack Huston Cheers on Paul Schrader as Sexual Abuse Drama ‘Basics of Philosophy’ Premieres in Venice
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Paul Schrader's new film "The Basics of Philosophy" received its out-of-competition premiere at the Venice Film Festival, drawing a 4.5-minute ovation as star Jack Huston and co-stars Sofia Boutella, Bill Pullman and Daniel Zovatto embraced the visibly moved director amid cheers of "Bravi, Bravi!" The drama, about a philosophy professor forced to confront a past act of sexual abuse when his victim reappears in his life, extends Schrader's long-standing preoccupation with guilt and redemption, which he has linked to his strict Calvinist upbringing.
Huston plays professor John Jorissen alongside Boutella, Zovatto, Pullman, Dana Delany, Shiloh Fernandez, Karl Glusman and Elizabeth Petruso, with Variety critic Jessica Kiang praising Huston's "peculiar intensity" in her review. Martin Scorsese served as an executive producer, and the film was produced by Braxton Pope and David Wulf. The 80-year-old Schrader, best known for writing "Taxi Driver" and directing "American Gigolo" and "First Reformed," has a long history with Venice, having previously premiered "First Reformed," "The Card Counter" and "Master Gardener" there and received a Golden Lion for Lifetime Achievement in 2022.
- Schrader's abuse drama "Basics of Philosophy" got a 4.5-minute Venice ovation
- Jack Huston stars as a professor confronted by his past victim
- Scorsese produced; Schrader ties the film to his Calvinist upbringing
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Paul Schrader is a veteran American screenwriter and director, famous for writing "Taxi Driver" and directing films such as "American Gigolo" and "First Reformed". Now 80, he is well known for exploring themes of guilt, sin and redemption, which he has traced back to his strict Calvinist upbringing, and he is a frequent presence at the Venice Film Festival, one of the world's most prestigious film events.
His latest film, "The Basics of Philosophy", is a drama starring Jack Huston as a philosophy professor who must confront a past act of sexual abuse when the person he abused re-enters his life. The cast also includes Sofia Boutella, Bill Pullman, Daniel Zovatto and Dana Delany, and the project has backing from Martin Scorsese, who serves as an executive producer.
The film premiered out of competition at Venice, meaning it was screened at the festival but not eligible for its top prizes. Venice premieres often generate early buzz and reviews that shape a film's reputation ahead of wider release, which is why the reception there is being closely watched.
Full account
Paul Schrader's new film The Basics of Philosophy received an emotional send-off at its world premiere in Venice on Friday evening, with the 80-year-old writer-director appearing visibly moved as the credits rolled and applause filled the auditorium. Reports differ slightly on the exact length of the ovation, with estimates ranging from around four to four and a half minutes, but both accounts agree that Schrader grew tearful as star Jack Huston turned to embrace and applaud him, while co-stars including Sofia Boutella, Bill Pullman and Daniel Zovatto gathered warmly around the director.
The film casts Huston as John Jorissen, a philosophy professor at a small liberal arts college whose carefully ordered existence is upended when a person he wronged years earlier unexpectedly resurfaces, forcing him to confront a long-concealed act of abuse. The reappearance plunges Jorissen into a reckoning with guilt, desire and the consequences of his past. Boutella plays his partner and colleague, Becca, with further support from Zovatto, Pullman, Dana Delany, Shiloh Fernandez, Karl Glusman and Elizabeth Petruso. The picture screened out of competition, and while its heavy subject matter was seen as tempering the mood on the Lido, the response was nonetheless described as warm, with audience members rising to their feet.
The drama extends Schrader's long-running fascination with isolated, guilt-ridden men, a figure he has returned to throughout his career, from Travis Bickle in Taxi Driver through the protagonists of American Gigolo, Light Sleeper, Affliction, First Reformed, The Card Counter and Master Gardener. Speaking about the archetype, Schrader has described the character as a solitary figure who keeps a diary and hides behind the mask of his profession, noting that this latest incarnation trades in philosophy rather than poker or gardening. At a press conference the same day, he also linked his preoccupation with guilt and redemption to his strict Calvinist upbringing, recalling a childhood steeped in ideas of predestination and total depravity that he said continue to shape his work.
Martin Scorsese, who has directed several of Schrader's screenplays including Taxi Driver, Raging Bull and The Last Temptation of Christ, came on board The Basics of Philosophy as an executive producer, reprising a role he also held on Schrader's The Card Counter; the film's producers are named as Braxton Pope and David Wulf. Venice has long been a supportive home for Schrader's recent work, having previously premiered First Reformed, The Card Counter and Master Gardener, and having awarded him a Golden Lion for Lifetime Achievement in 2022; First Reformed also brought him his first Oscar nomination, for original screenplay, at the age of 71. Early reaction to Huston's performance singled out the unsettling quality he brings to the role, with one review highlighting the intensity of his gaze and voice as central to the character's disquieting effect.
Where outlets differ
The two accounts give slightly different lengths for the standing ovation (about 4.5 minutes versus roughly 4 minutes) and characterise the crowd's mood differently — one frames the reception as a 'moderate' ovation with chants of 'Bravi, Bravi!', while the other frames the sombre subject matter as dampening enthusiasm even as the film was 'well received'.
One source focuses on Schrader's Calvinist-upbringing remarks from the press conference to explain his interest in guilt and redemption, while the other instead foregrounds his own description of the recurring 'Man in the Room' archetype and its lineage across his filmography.
One report provides plot and character detail (naming Boutella's character, Becca, and describing the 'existential reckoning') and details Scorsese's history directing Schrader's scripts and his prior producing role on The Card Counter; the other instead names the film's producers (Braxton Pope and David Wulf) and cites a critic's assessment of Huston's performance, along with Schrader's 2022 Golden Lion, details the other account omits.