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Lord Huron Announce “23 Nights at the Broken Bottle” Traveling Residency Tour
Lord Huron have announced "23 Nights at the Broken Bottle," an intimate North American residency tour running from late 2026 into early 2027. The 23-date run will see the stage transformed into the "Broken Bottle," a fictional desert honky-tonk from the band's lore, with each show billed as "An Evening With Lord Huron" featuring no support act and drawing on the band's full catalogue. It marks a notable shift in scale from their 2026 summer tour, which included large venues such as the sold-out Red Rocks Amphitheatre and the 17,000-capacity Fiddler's Green.
The tour opens on 1st December at Nashville's Ryman Auditorium, which holds just 2,362 people, and closes on 11th January at The Wiltern in Los Angeles, with two-night stands also planned in Chicago, Montréal and Brooklyn, among others. An artist presale begins on Wednesday 5th August at midday local time, followed by general on-sale on Friday 7th August at 10am local time via Ticketmaster and the band's website. The residency follows their 2026 summer tour in support of the album "The Cosmic Selector Vol. 1," released in July 2025 and featuring collaborations with Kristen Stewart and Kazu Makino of Blonde Redhead.
In short
- Lord Huron announce 23-date "Broken Bottle" residency tour in intimate theatres
- Runs 1st December to 11th January, opening at Nashville's Ryman Auditorium
- Presale starts 5th August, general on-sale 7th August via Ticketmaster
Explained simply
Lord Huron are an American band led by singer and songwriter Ben Schneider. Their music draws on folk and rock, and the band often builds fictional places and characters into its songs and performances. The Broken Bottle is one such imagined setting: a desert honky-tonk that forms part of the band’s story world.
The tour follows the release of The Cosmic Selector Vol. 1 in July 2025 and a summer tour that included large outdoor venues. The new shows are planned for smaller concert halls, with each billed as a full evening with the band and no opening act. That change in scale gives audiences a different setting in which to hear music from across the group’s catalogue.
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