Momen’s fluid technique transforms baroque harpsichord repertoire for concert grand piano
Mishka Rushdie Momen performed a French baroque-themed recital at Wigmore Hall, notable for rendering harpsichord repertoire by Couperin, Rameau and Jacquet de la Guerre on a modern concert grand piano rather than a period instrument. The reviewer found this unusual pairing thoughtful and successful, praising Momen's natural poise, fluid technique and ability to bring both delicacy and muscular richness to the music, which sits somewhat outside standard piano recital repertoire.
The programme balanced baroque works with Ravel pieces that drew on 18th-century forms, including the Prélude and Fugue from Le Tombeau de Couperin and Pavane pour une Infante Défunte, highlighting historical connections between the eras. It also featured John Bull's virtuosic Renaissance piece Walsingham as a contrasting outlier, and closed with Couperin's intricate Le Tic-Toc-Choc, which the reviewer said showcased Momen's precise touch and balance.
- Mishka Rushdie Momen played French baroque works on piano at Wigmore Hall.
- Programme mixed Couperin, Rameau, Jacquet de la Guerre with Ravel and John Bull.
- Reviewer praised her technique, elegance and richness of tone throughout.