This is a review of Michael Almereyda's 1994 vampire film Nadja, which the critic praises as an atmospheric "midnight-movie" gem. Shot largely in indistinct monochrome with dreamlike transitions and looming close-ups, the low-budget indie was bankrolled and executive-produced by David Lynch, who also appears in a cameo as a morgue attendant, and the review highlights its striking style and mood decades after release.

The film imagines that Dracula has recently died, with his spirit living on through his glamorous daughter Nadja, played by Elina Löwensohn, alongside her manservant Renfield and ailing brother Edgar (Jared Harris). Peter Fonda appears as an eccentric Van Helsing, and the story moves from New York to Transylvania, taking in seduction, family drama and dark comic touches along the way. The reviewer compares it favourably to Abel Ferrara's The Addiction, released a year later, and singles out the film's poetic dialogue and eerie sound design as key strengths.