New York Film Festival unveils full 64th-edition main slate
Developing story first seen 2 hours ago
The New York Film Festival has confirmed its full 32-film main slate for the 64th edition, with four world premieres anchoring the programme: Tony Gilroy's centrepiece "Behemoth!", Ava DuVernay's closing-night documentary "14th," Mani Haghighi's "I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies," and Takashi Yamazaki's "Godzilla Minus Zero." The newly detailed lineup also surfaces additional Cannes imports not previously highlighted, including Ryûsuke Hamaguchi's "All of a Sudden," Arie and Chuko Esiri's "Clarissa" (a reimagining of "Mrs Dalloway"), and Paweł Pawlikowski's "Fatherland," reinforcing the festival's role as a key staging post for awards-season contenders straight off the Croisette.
Several Cannes prizewinners feature prominently: Sandra Wollner's "Everytime" (Un Certain Regard), Andrey Zvyagintsev's "Minotaur" (Grand Prix), Pawlikowski's "Fatherland" (best director), "A Man of His Time" (best screenplay), "The Dreamed Adventure" (Jury Prize) and "All of a Sudden" (shared best actress for Virginie Efira and Tao Okamoto), alongside Marine Atlan's Critics' Week winner "La Gradiva." Seventeen directors are making their main-slate debut, and Hong Sangsoo is the only filmmaker with two films selected. Other notable titles include Chris Rock's directorial comeback "Misty Green," Andrew Haigh's "A Long Winter," Mike Leigh's likely final film "Tender Loving Care," Pedro Almodóvar's "Bitter Christmas" and Ira Sachs' "The Man I Love" with Rami Malek. The festival, founded in 1963, opens on 25 September with James Gray's period thriller "Paper…"
- Full 32-film NYFF main slate confirmed, adding more Cannes titles
- Four world premieres headline, including Gilroy's "Behemoth!"
- 17 directors debut; festival opens 25 September with James Gray film
New here? Start with this
New York's autumn film calendar centres on the New York Film Festival, a long-running showcase that has run every year since 1963. Each year it picks a small selection of new films, its "main slate," to screen for audiences and critics before wider release, and the choice is closely watched because it often signals which films will be talked about during that winter's awards season.
The festival's programme frequently overlaps with the Cannes Film Festival, an earlier and larger event held in France each spring, as strong or prizewinning Cannes films are often brought to New York for their American premiere. Directors whose work regularly features in this circuit include figures such as Mike Leigh, Pedro Almodóvar and Hong Sangsoo, alongside newer or first-time main-slate directors, actors and documentary makers.
The lineup matters beyond cinephile interest because festival selection can shape a film's commercial release plans, critical reputation and awards prospects in the months that follow. For readers unfamiliar with the festival circuit, it helps to know that these events act as an early filter, deciding which films get sustained public attention before they reach general audiences.
More coverage
- Deadline — New York Film Festival Sets Main Slate With Chris Rock’s ‘Misty Green’, Cannes Prize Winners ‘Everytime’, ‘Minotaur’
- The Hollywood Reporter — NY Film Festival Reveals 2026 Main Slate With Cannes Winners ‘Minotaur,’ ‘Fatherland’ and ‘All of a Sudden’
Elections Entertainment Film Politics
Read the full article at the source →
Originally published by Variety as “New York Film Festival 2026 Lineup Unveiled: Chris Rock’s ‘Misty Green,’ Andrew Haigh’s ‘A Long Winter’ and More”.