Claire Booth’s lone mouth conveys a dying woman’s fractured anguish
Rufus Norris’s production of Samuel Beckett’s *Not I* presents soprano Claire Booth’s rapidly moving mouth alone against a black background. The stark image and Booth’s intense performance convey a desperate woman’s fragmented thoughts, suggesting a lifetime of suffering being relived near the moment of death.
The 15-minute play follows a programme including Luciano Berio’s experimental *Sequenza III* and films about Beckett’s connection with Folkestone, though the review considers this buildup unnecessary. Booth combines breathless speech, repetitions, verbal breakdowns and operatic phrasing to portray a woman asserting her existence through language, before the darkness finally overwhelms her.
- Claire Booth’s isolated mouth delivers Beckett’s fragmented monologue.
- Rufus Norris creates a stark, emotionally powerful production.
- The performance is brief, strange and deeply moving.
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Originally published by The Guardian as “Not I review – a mouth steals the show in Rufus Norris’s strange and deeply moving take on Beckett”.