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Our Hero, Balthazar review – a darkly comic satire of incel culture and gun violence
The Guardian’s review describes *Our Hero, Balthazar* as a dark, abrasive black comedy that satirises incel culture, online performance, self-help rhetoric and America’s relationship with gun violence. The film follows Balthazar, a wealthy Manhattan teenager who performs grief over school shootings on social media, then becomes involved with an online troll he suspects may be planning an attack. According to the review, the film matters less as a conventional thriller than as a pointed commentary on how attention-seeking activism, alienation and fascination with violence can feed off one another.
The suspected troll, Solomon, is revealed to be a Texan teenager living with his grandmother, and the pair develop an unsettling, homoerotic friendship shaped by political and cultural differences between liberal New York and conservative small-town America. The review praises the energetic direction and especially the performances of Jaeden Martell and Asa Butterfield, arguing that their dynamic captures a broader sense of American dysfunction. It also notes weaknesses: some satire is seen as too obvious, the film takes aim at too many subjects at once, and its ending is described as strained, though it still contains sharp comic moments.
In short
- A black comedy links online alienation with America’s gun culture.
- The central odd friendship drives the film’s strongest satire.
- Strong performances outweigh an uneven, overextended script.
Explained simply
"Our Hero, Balthazar" is a dark comedy that satirises incel culture, online performance, self-help rhetoric and America's relationship with gun violence. It follows Balthazar, a wealthy Manhattan teenager who performs grief about school shootings on social media, and becomes entangled with someone he suspects may be an actual troll planning violence.
The suspected troll turns out to be Solomon, a teenage boy from Texas living with his grandmother. The two develop an unsettling friendship despite their vastly different backgrounds—one from liberal New York, the other from conservative small-town America—which the film uses to explore cultural divisions within the country.
The film functions as commentary on how attention-seeking activism, social isolation and fascination with violence can feed off one another in the online age. Rather than operating as a conventional thriller, it uses dark humour and its central relationship to reflect broader patterns of disconnection and dysfunction in American society.
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