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Supergirl Now Available to Watch Online After Box Office Struggles
Supergirl has become available to rent or buy digitally on platforms such as Prime Video, roughly a month after its theatrical debut, following a disappointing run at the box office. The DCU film has grossed just over $124 million worldwide against an estimated $170 million budget, making it one of the weakest-performing DC Comics adaptations to date, and its early move to digital and home video reflects studios' efforts to recoup losses once cinema takings falter.
The film opened to around $68 million but suffered a 74% drop in attendance in its second weekend, and reviews have been mixed, with a 53% critics' score on Rotten Tomatoes; IGN's own review gave it 6/10 while praising Milly Alcock's lead performance. DC Studios co-CEO Peter Safran acknowledged it fell short of expectations but insisted it remains part of a broader long-term strategy. Digital rental costs $19.99 and purchase $24.99, with a Prime Video bundle alongside Superman priced at $29.99, while physical formats including a 4K steelbook are due out on 8 September; Supergirl is expected to arrive on HBO Max around the same time.
In short
- Supergirl now available to rent or buy digitally, a month after cinema release
- Film has grossed just $124m against a $170m budget
- Physical media and likely HBO Max streaming expected by early September
Explained simply
Supergirl is a film based on the DC Comics superhero character, produced by DC Studios as part of their series of interconnected cinema releases. The film has failed to meet box office expectations, earning just over $124 million worldwide against a production budget of around $170 million, making it one of the weakest-performing DC films to date.
The film opened to around $68 million in its first weekend but experienced a sharp 74% drop in ticket sales the following week. It received mixed critical reviews, though lead actress Milly Alcock earned praise for her performance.
When films underperform at the box office, studios typically move them to digital and streaming platforms sooner than originally scheduled in order to recoup losses through alternative revenue streams. This reflects a broader industry trend where studios are increasingly dependent on multiple distribution channels when theatrical releases disappoint financially.