Tom Six’s self-made documentary is presented as a chaotic, provocative final statement from the director of The Human Centipede, who reflects on his notoriety, stalled career and diagnosis of multiple sclerosis. The review finds it heavy-handed and self-indulgent but intermittently funny, suggesting it offers a revealing, if unruly, portrait of a film-maker still determined to provoke.

Six says his infamous horror hit became a major cultural talking point without making him wealthy, leaving unanswered questions about where its profits went. He also discusses his unreleased film The Onania Club, which distributors reportedly avoided after Covid despite praise from figures including John Waters, while the documentary shows his restricted life in his Amsterdam flat and his complaints about censorship and “woke” culture.