-
Afghanistan comfortably claim series over Ireland
Afghanistan secured the one-day international series against Ireland with a 42-run victory at Stormont, taking an unassailable 3-0 lead with one match remaining. Their record total of 343-9 proved beyond Ireland despite centuries and brisk scoring from the hosts, underlining Afghanistan’s control throughout a series that Ireland had hoped would begin their World Cup qualifying…
-
‘Seinfeld’ Officially Renewed on Netflix
Netflix has renewed its streaming licence for ‘Seinfeld’ for a further five years, keeping the sitcom available on the service after its existing deal neared expiry. The renewal reflects the programme’s continuing popularity decades after its original run and secures Netflix’s access to one of television’s most successful comedies. More than 60 million people in…
-
X-Men ’97 S2: A Wolverine Line Changed Ross Marquand’s Life | Set Stories
Collider reports that Ross Marquand discussed developing his voice for Apocalypse in the second season of *X-Men ’97*. He said a line spoken by Wolverine in the original animated series had a major personal impact, while influences including metal vocalists and Jesse Ventura also informed his performance. The article is a brief video feature published…
-
How an Abandoned Shopping Mall Was Transformed into the Las Vegas Strip for ‘Fallout’ Season Two
‘Fallout’ season two recreated the pre-war Las Vegas Strip largely with physical sets rather than relying on visual effects. Production designer Howard Cummings converted an abandoned San Fernando Valley shopping mall into a retro-futuristic version of New Vegas, reflecting the setting of the game ‘Fallout: New Vegas’. The former Regal cinema was redesigned as the…
-
‘Pluribus’ Best Carol Quote Perfectly Explains Vince Gilligan’s Apple TV Sci-Fi Series
Collider argues that Carol Sturka’s line, “I miss being wrong”, captures the central idea of Vince Gilligan’s Apple TV sci-fi black comedy *Pluribus*. The quote reflects Carol’s discomfort in a world where a benevolent hivemind treats her as perfect, suggesting that human imperfection, disagreement and autonomy are essential parts of meaningful life. By the penultimate…
-
‘Fallout’ Officially Brings Back Maximus in 2027 for Brand-New Release
Prime1Studio will release a limited-edition statue of Maximus, the character played by Aaron Moten in Prime Video’s Fallout series, in 2027. The announcement gives fans a new collectible tied to the successful television adaptation ahead of its confirmed third season and any future mainline game release. The statue depicts Maximus wearing full power armour and…
-
‘X-Men ’97’ Season 2 Ending Explained: the Cast Break Down 4 Crucial Moments
Polygon reports that the X-Men ’97 cast have discussed key moments from the show’s season 2 finale, particularly the long-running conflict between Professor X and Apocalypse. Ross Marquand says the confrontation matters because it tests Professor X’s defining belief that empathy and care for others can save the world. Marquand, who voices both Professor X…
-
The Lowdown season two returns on 14 October
FX has confirmed that “The Lowdown” will return for its second season on 14 October, premiering on FX and Hulu in the US and Disney+ internationally. The drama again follows Ethan Hawke’s Tulsa “truthstorian” Lee Raybon as he investigates corruption, with the new case centring on a prisoner who has disappeared from a state penitentiary.…
-
49ers WAGs are wisely getting in some bikini time before the season far away from the curse of the substation
The article highlights San Francisco 49ers players’ partners, commonly called WAGs, spending time in bikinis during the NFL off-season. It presents this as a light-hearted example of the group making the most of their break before the team’s season begins, while joking about avoiding the supposed “curse of the substation”. It refers to Olivia Culpo,…
-
JO: Enchanting golden age of TV created by men who believed in the magic of childhood
The article reflects on a formative period in British children’s television, arguing that its most enduring programmes were created by men who took children’s imagination seriously. It presents this era as significant because its makers combined modest production resources with distinctive storytelling, creating programmes that remained meaningful across generations. It credits the creators’ belief in…