‘Completely original’ musical Midnight tries (and fails) to imagine a slavery-era romance
- *Midnight* imagines a queer romance during slavery.
- The review criticises its disregard for historical realities.
- A reference to “40 acres and a mule” is set two years early.
Todrick Hall’s off-Broadway musical *Midnight* imagines a romance between an enslaved man and a white planter’s son in 1863. The review argues that the show’s attempt to portray queer intimacy under slavery fails because its romantic fantasy overlooks the realities and lasting consequences of enslavement. The story follows…