Attilio Fiumarella documented a bold collaborative portrait project at Moseley Road Baths, a Grade II listed Edwardian community building threatened with closure due to lack of funding. Working with local volunteers and community groups, he assembled 118 swimmers into the empty competition pool in July 2014, requiring an hour's wait for ideal sunlight. The image captures multiple generations and the demographic diversity of the swimming community that had used the facility.

The photograph later gained significant recognition, winning the Portrait of Humanity award in 2020. Fiumarella reflects on the work as both a technical achievement—his first project using large-format film—and a statement about community resilience and togetherness. The image's recent renewed attention underscores its resonance as a representation of collective agency and shared identity within a historic public institution.