Australian singer-songwriter Grace Cummings speaks to Clash Magazine about her fourth album, 'Bloodhorse!', discussing how her songwriting process, sound and place within the wider music community have evolved. It is her second album made with producer Jonathan Wilson at his Topanga Canyon studio, following 'Ramona', the record that broadened her reputation internationally, and the interview offers insight into how an acclaimed artist develops a distinctive body of work while balancing artistic ambition with the practical challenges of a music career.

Cummings describes going into the studio with more than fifty songs to choose from, without a fixed concept, prioritising honesty over how the material might be received. Some tracks, such as 'FAKE' and 'Bloodhorse!', had existed for around a year, while others, including 'Paradise' and 'My Island and Me', were written or finished spontaneously in the studio; she typically captures ideas via voice notes rather than full demos. She also touches on her love of classical music, her restless creative drive, and the difficulty of sustaining a music career while based in Australia. While her voice remains central to the record, she notes the album's musical palette has widened, with strings adding extra depth and drama.