‘Techno in a monastery – are you ready?’ The Greek priest whose doom metal album is the year’s hippest record

The Guardian ·

Father Dionysios Tabakis, a 53-year-old ordained clergyman in the Greek Orthodox Church, has unexpectedly gained international recognition through music production. His self-released album Paradise Metal merges doom metal, Christmas carols, and religious dubstep. The work received a 7.6 critical score from Pitchfork—surpassing ratings the publication previously awarded to major electronic releases—and established Tabakis as a notable figure within underground music communities.

Tabakis's artistic pursuits exist in tension with Greek Orthodox Church teaching, which has historically viewed electric instruments and secular music as spiritually corrupting. Based in Nafplio whilst serving as an ordained priest with an adult family, Tabakis uses his music to advocate for the spiritual compatibility of electric instruments with Christian faith. Following the April release, he has remained largely private, granting few interviews and maintaining minimal public visibility despite substantial media interest.

In short

  • Ordained Greek Orthodox priest releases experimental album combining doom metal, Christmas carols, and religious dubstep
  • Pitchfork awarded the work a higher critical score than prior albums by Aphex Twin and Daft Punk
  • Priest's music publicly challenges his church's traditional stance against electric instruments as spiritually harmful

Steelman: both sides, in good faith

The strongest fair case each way — we don't pick a winner.

The case for

Advocates for Fr Tabakis argue that creative expression is compatible with ordained ministry and need not compromise spiritual authenticity; religious traditions evolve their artistic practices across generations, and electronic instruments hold no inherent spiritual corruption. They contend his work genuinely engages with faith themes and demonstrates that Christianity can reach contemporary audiences through innovative forms, potentially serving a legitimate spiritual purpose alongside his clerical duties.

The case against

Those concerned about his approach argue that ordained clergy accept specific commitments to their Church's traditions when they take vows, and the Orthodox Church's established teaching on sacred music reflects centuries of theological reflection. They maintain there is a meaningful distinction between organic evolution and departures from core practice; they hold that a priest's primary obligation is to his Church community, and merging extreme musical genres with sacred content risks trivialising rather than deepening spiritual experience in ways compatible with ordination vows.

Explained simply

Father Dionysios Tabakis is a 53-year-old ordained priest in the Greek Orthodox Church who has unexpectedly gained international recognition through music production. His self-released album Paradise Metal blends doom metal—a slow, amplified form of rock music—with Christian elements including Christmas carols and what he terms religious dubstep.

Tabakis's artistic pursuits challenge traditional Greek Orthodox Church teaching, which has long viewed electric instruments and secular music as spiritually corrupting. Serving as an ordained priest in Nafplio with an adult family, he uses his music to argue that electric instruments are spiritually compatible with Christian faith, thereby questioning established Church doctrine.

The album has received significant critical attention, with the music publication Pitchfork awarding it 7.6 out of 10—a score higher than the magazine has previously given to many prominent electronic music releases. Since the album's April release, Tabakis has largely withdrawn from public engagement, granting few interviews despite media interest.

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