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Review: Milei’s Rise Through the Eyes of One of His Critics
*The Embrace*, a short documentary by New York-based filmmaker John Owens, portrays modern Argentina through Caro, a former notary who left her job at 40 to devote herself to tango. Set against Javier Milei’s election, the film shows Caro and other dancers struggling with uncertainty about their livelihoods and the political changes ahead.
The review describes the film as clearly opposed to Milei, with news clips about abortion rights and funding for women’s services. It says the documentary conveys its politics mainly through negative emotion rather than detailed argument. The reviewer sees it as a brief, poetic counterpoint for people optimistic about Milei’s era who want to understand those who feel differently.
In short
- A short documentary follows a tango dancer after Milei’s election.
- The film presents opposition to Milei through personal uncertainty and emotion.
- The reviewer calls it a counterpoint for Milei optimists.
Steelman: both sides, in good faith
The strongest fair case each way — we don't pick a winner.
The case for
A short, poetic documentary can make political change legible through the lives and emotions of people facing uncertainty, rather than trying to offer a policy debate. By following Caro and other tango dancers, the film gives viewers a human perspective on why Milei’s election may feel threatening, particularly to those concerned about abortion rights and support for women’s services.
The case against
A documentary that signals its opposition mainly through negative emotion and selected news clips may leave viewers without enough detail to assess its political claims or understand the case for Milei’s changes. People who see his era as a chance to address Argentina’s problems could reasonably want a more substantive account of the policies, their rationale and their likely effects.