Sex, beds and grisly executions: what Christopher Nolan’s The Odyssey changed, invented – and left out

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Sex, beds and grisly executions: what Christopher Nolan’s The Odyssey changed, invented – and left out

The Guardian · 23 hours ago

Christopher Nolan's forthcoming adaptation of The Odyssey makes significant changes to Homer's ancient Greek epic, trimming characters and scenes to fit the sprawling 12,000-line poem into a three-hour film. The Guardian outlines the most notable alterations, from omitted deities and famous encounters to invented plot details, showing how Nolan reshaped the source material for a modern cinema audience while preserving its core narrative.

Nolan largely strips out the gods, retaining only Athena (Zendaya), who appears to Odysseus (Matt Damon) as a vision representing his conscience rather than a fully realised deity, while Zeus, Poseidon and Hermes are absent entirely. The film also cuts the Phaeacians and princess Nausicaa, instead having Odysseus recount his adventures to Calypso (Charlize Theron); omits major figures from the underworld scene including Achilles, Ajax and Odysseus's mother; and softens the poem's grisly ending, though it invents a new detail in which Penelope (Anne Hathaway) pushes the disloyal Melantho (Mia Goth) into the slaughter of the suitors.

  • Nolan's Odyssey film trims many characters and scenes from Homer's poem
  • Only Athena appears among the gods, as a vision to Odysseus
  • Nausicaa, the Phaeacians and several underworld ghosts are cut
  • Film invents new details, including Penelope's role in Melantho's death

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