Topic in entertainment

Film

Film remains one of the most influential forms of storytelling in contemporary culture, shaping how audiences around the world experience narratives and ideas. From major studio releases to independent productions, the industry continues to evolve with new technologies, business models and creative voices challenging traditional conventions. This topic covers the full spectrum of cinema—the blockbusters that dominate box offices, the intimate character studies that premiere at festivals, and everything in between.

About this topic

Beyond the screen, the film industry itself generates significant headlines. Studio mergers reshape the competitive landscape, streaming platforms alter how films reach audiences, and casting announcements provoke cultural conversations. Critics and audiences alike engage in passionate debates about artistic merit, representation and the direction of cinema itself.

Whether you're interested in reviews of the latest releases, industry news that affects which films get made and distributed, or the ongoing cultural conversations about what film means today, this topic brings together coverage that matters to film enthusiasts and those curious about the forces shaping entertainment and storytelling.

12,325 stories Follow All news
Last 7 days 506 stories
0

The two movies Morgan Freeman has never got tired of watching: “One of the best ever made”

  • Freeman keeps returning to *High Noon* and *Moulin Rouge*.
  • He values Cooper’s restrained performance in the western.
  • He praised the musical’s craft and award-winning design.

Morgan Freeman says he continues to revisit *High Noon* and *Moulin Rouge*, two films with sharply different styles that he considers among the finest he has seen. His choices show how performances and cinematic craft can hold an audience, whether through a restrained western drama or an exuberant…

Far Out0
0

Every Christopher Nolan Sci-Fi and Fantasy Movie, Ranked

  • Nolan’s genre films are ranked, with even the lowest entry praised.
  • *Tenet* is placed above *The Prestige*.
  • *Inception* turns a heist into a journey through the subconscious.

The article ranks Christopher Nolan’s science fiction and fantasy films, arguing that although the director works across many genres, these films share his interest in time, psychological drama and spectacle. It says the ranking is difficult because even the lowest-placed film is strong, while the higher entries approach…

Collider0
0

North Carolina actor says he recognised Sacha Baron Cohen but played along

  • Loudermilk says he recognised Cohen but stayed in character.
  • He answered a casting advert for $300 and travel expenses.
  • He hopes the film will help his comedy career.

Joshua Loudermilk says he recognised Sacha Baron Cohen while filming the new Ali G movie, but kept playing along as a hard-right border activist. He says the filmmakers did not know he had worked out the joke, and he hopes the role will help launch his comedy career.…

The Guardian0
0

DC Mastered the Formula Marvel Couldn’t Figure Out

  • *Clayface* makes Matt Hagen the clear centre of its story.
  • Its body-horror plot follows his disfigurement and transformation.
  • The film leaves Batman out, with a future meeting still possible.

DC’s *Clayface* centres its villain-origin story on Matt Hagen, arguing that a superhero’s presence is not needed when the film gives its lead a clear story of his own. The article contrasts this approach with Marvel and Sony’s less successful standalone villain films, which often left audiences wondering…

Collider0
0

In 2009, Jennifer Garner starred in a movie she thought would be great. It struggled at the box office

  • Garner thought *The Invention of Lying* had an exceptional script.
  • She relished playing a character who constantly put down Gervais.
  • The comedy struggled at the box office and divided critics.

Jennifer Garner believed the 2009 comedy *The Invention of Lying* had the makings of a great film, praising its script as one of the strongest she had read. The film’s poor box-office performance and mixed critical reception show how a promising premise and sharp dialogue do not always…

Far Out0
0

A24’s 3-Hour Viral Sensation Is Officially Becoming a Box Office Monster

  • You Can See Everything has taken about $45 million domestically.
  • The documentary earned around $20 million in its second weekend.
  • It expanded from just over 800 cinemas to more than 2,650.

A24’s documentary You Can See Everything earned about $20 million in its second weekend, nearly reaching the top of the US box office chart. Its strong performance matters because the film has reached roughly $45 million domestically, an unusually high total for a documentary. Co-directed by Nathan Fielder…

Collider0
0

In 1999, Mads Mikkelsen brawled with a “very provocative” director. They’ve made six movies together since

  • Mikkelsen and Jensen first met during a fight in 1999.
  • Jensen later cast him in his first feature film.
  • They have collaborated on six films.

Danish actor Mads Mikkelsen says he first met filmmaker Anders Thomas Jensen in 1999, when the two got into a fight on the staircase at a party. Their clash did not prevent Jensen from later casting Mikkelsen, and the pair went on to build a long-running creative partnership.…

Far Out0
0

Clayface tops box office as Elizabeth Holmes documentary rises in second weekend

  • “Clayface” topped the box office with a $24 million debut.
  • “You Can See Everything” reached $45.1 million domestically.
  • “Wildwood” opened above forecasts but carries a $100 million budget.

“Clayface” led the North American box office with a $24 million opening, while the Elizabeth Holmes documentary “You Can See Everything” earned $19.5 million in its second weekend. The documentary’s unusually strong performance highlights growing audience interest and has prompted speculation that it could become the first documentary…

VarietyD2 sources · 0
0

The 10 Best Stephen King Crime Books, Ranked

  • King’s crime fiction often blends thriller and horror.
  • *Joyland* is judged stronger than *The Colorado Kid*.
  • *Rage* is out of print and difficult to recommend.

The article ranks Stephen King’s crime novels, highlighting books that show his work beyond the horror genre he is best known for. It notes that some selections also lean into horror and that the ranking considers novels only, leaving out novellas such as *Rita Hayworth and Shawshank Redemption*.…

Collider0
0

9 Most Campy Horror Movies From the Last 5 Years, Ranked

  • Campy horror mixes scares with deliberately silly fun.
  • The films range from festive slashers to vampire B-movies.
  • *Malignant* saves its wildest turn for the finale.

The article ranks nine recent horror films that embrace camp, treating silliness as part of the genre’s appeal rather than a flaw. It argues that these films balance scares with playful excess, offering an alternative to more serious, thought-provoking horror. The examples in the supplied text include *It’s…

Collider0