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Comic-Con Preview: An Elf, a Superhero and a Spaceball Walk Into Hall H…
Comic-Con 2026’s Hall H programme will feature major film and television franchises seeking to sustain fan enthusiasm, including Marvel, DC, The Lord of the Rings, Star Trek and Spaceballs. The line-up matters because studios are using the convention to showcase forthcoming releases amid uncertainty over superhero audience interest following Supergirl’s disappointing box office performance. Highlights…
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Google just had its first negative cash flow quarter due to massive AI spending
Google reported record-like second-quarter revenue but its free cash flow turned negative for the first time since it became a public company, after sharply increasing spending on AI infrastructure. The result highlights how the race to build data centres and train AI models is straining even the strongest technology companies, prompting investor concern and a…
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The Critics Choice Association will launch its inaugural Creator Awards in 2027, expanding its awards programme to recognise digital entertainment across social media, streaming platforms and podcasts. The move reflects the growing cultural and commercial importance of online creators, while aiming to help audiences discover work judged to be of high quality. Nominees will be…
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“It’s fatal”: the iconic band Keith Richards saw no point in listening to
Keith Richards dismissed the Sex Pistols in a 1977 interview, saying there was no point in listening to them and rejecting the idea that the Rolling Stones should imitate punk. The remarks matter because they illustrate the tension between established rock artists and punk’s rise, as well as Richards’ concern that pursuing novelty could become…
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Nvidia is sending GPUs to the Moon
Nvidia is expanding its reach into space by supplying Jetson chips to Lunar Outpost, a robotics startup, for use in the LiDAR system of its next Moon rover. When the mission launches, it is expected to mark the first time a GPU has operated on the lunar surface, part of a broader push by Nvidia…
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‘Ransom Canyon’ Soundtrack: All The Songs You’ll Hear In Both Seasons Of The Netflix Western Romance Series
Netflix’s Western romance series Ransom Canyon has returned for a second season with an extensive soundtrack of country and Americana tracks, continuing the show’s heavy use of needle-drops alongside a live guest musical performance each season. Deadline has compiled the full song list for both seasons, episode by episode, giving fans a guide to the…
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Mammoth Red Sox prospect hits home run to the moon, then promptly slaps the catcher and ignites a brawl
Justin Gonzales, the Boston Red Sox’s No. 3 prospect, hit a towering home run while playing for High-A Greenville, then sparked a bench-clearing brawl by slapping the opposing catcher as he crossed home plate. The incident drew attention as a colourful sideshow on a night when the parent club’s fortunes took a downturn, highlighting the…
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UK drivers hammered by ‘rocketing’ pump prices as Iran war escalation sends oil back over $100 a barrel
Petrol prices at UK forecourts are climbing sharply after an escalation in the conflict involving Iran pushed global oil prices back above $100 a barrel, adding fresh pressure to household budgets. The surge follows heightened tensions in the Middle East, which have unsettled energy markets and raised fears of wider supply disruption, with motoring groups…
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The Rockettes Announce 2026 Christmas Spectacular: How to Get Tickets
The Radio City Rockettes will return to New York’s Radio City Music Hall for the 2026 Christmas Spectacular, running from 4 November 2026 to 4 January 2027. The production is being expanded after a highly successful anniversary season, making it the largest run in the show’s history. There will be 230 performances, surpassing the previous…
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50 years ago, Paul McCartney and Wings captured the art of hospitality in ‘Let ‘Em In’
Far Out Magazine has marked the 50th anniversary of Paul McCartney and Wings’ 1976 song “Let ‘Em In,” reflecting on how the track captures a sense of warmth and hospitality. The piece situates the song within McCartney’s post-Beatles output with Wings, a period in which he continued to explore themes of home, welcome and togetherness…